Over the Holiday Break I read the latest by
Howard Mansfield titled Dwelling in Possibility: searching for the soul of
shelter. This book is a series of informal inquiries on the subject of
shelter. He writes about both the lighthearted, with a discussion on house
hunting, and the serious, with a discussion on war and the destruction of home.
The majority of the book is a lively tome on how living and shelter have
changed and what philosophy and common sense can teach us about recovering the
art of dwelling. While house hunting stops to consider this question: “We have
shelter from the rain and snow, but our houses aren’t sheltering our
souls.” Is this a common idea not spoken about?
Is this idea of the inspiring home and
being ordinary an untapped important idea as we consider how best to design and
live in our places of dwelling? He quotes the southern architect Samuel Mockbee
as an example of a definition of this older idea of dwelling. ” Everyone rich or
poor, serves a shelter for the poor.” Should our homes inspire us or at least
be a place we want to be? Think of characteristics of where you live
versus places you like in magazines or from visiting others homes. Do you think
we should expect more from the houses we buy? Mansfield writes, “If the
house is diminished, then we are diminished.” Do you think this is true? Do our
houses express who we are or do we become expressions our homes?
An interesting sub theme is this ideas of
complete versus incomplete. He tells some stories on Frank Lloyd Wright’s
Zimmerman house and concludes by asking is a complete house a good house or
does a home need to be incomplete? He steps it up a scale when he talks
about the debates that occur in his town zoning meetings over the way the town
looks, should it be formal or left informal? These stories reflect a
difference in scale around a level of involvement as to how much time we care
to spend concerning ourselves with how things look.
Mansfield then presents us with short
introductions to three philosophers who have three differing ideas of home or
dwelling. One looked for the meaning of words, one for silence and the
other for dreaming. This discussion leads you to uncover what definition works
for your version of house. The questions you might consider: Why does
dwelling as a word reflects a deeper meaning for describing a house or at least
a place of gathering for life? One might conclude that we use our words
as uniformity or casualness, as the sameness of our homes today?
Consider this last idea, of uniformity or
variety. What do houses have to be? What is an ordinary house? Is it
traditional or is it modern? Why does our built environment feel so banal
or nondescript? Why do older houses hold our interest for the way you look?
Consider as you read this book how ideas and built forms are various and
different like how a summer house used to be from you primary residence. Think
of the vernacular building of our rural past, like sheds or saunas that we now
can purchase as ready-made kits. Does the convenience of everyone having the
same trump the individuality for how each area of a state or region might have
differed from the other?
In exchanging individual expression of our
personality have we lost interest in the distinctness of our built landscape?
The only thing that would have made the book more interesting would be able to
sit across from the author and argue or discuss the idea within – the book can
help you begin your own.
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